Childhood's End

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by Arthur C. Clarke

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Childhood's End  
ChildhoodsEnd(1stEd).jpg
Cover of first edition (hardcover)
Author Arthur C. Clarke
Country United Kingdom
Language English
Genre(s) Science fiction
Publisher Ballantine Books
Publication date 1953
Media type Print (hardcover and paperback)
Pages 214 pp
ISBN 0-345-34795-1
OCLC Number 36566890

Childhood's End is a science fiction novel by Sir Arthur C. Clarke, which narrates a fictional evolution of the human race. It was first published in 1953 in book form, but had previously appeared in 1950 as a short story titled "Guardian Angel" in Famous Fantastic Mysteries magazine.[1] The original publication is the novel after the prologue, Earth and the Overlords, with some different text in certain places. A new first chapter was substituted in 1990 when the Cold War ended, making the original version anachronistic. Editions since have appeared with the original opening or including both alternatives.

Contents

[edit] Plot summary

Childhood's End narrates a fictional transformation of humanity, where nationalism, racial prejudice and cruelty to animals are outlawed. A utopian society eventually develops, but this is not the climax.[2]

The story is set in the late 20th century. Americans and Soviets are competing to launch the first to voyage to the moon. This space race is halted, however, when spaceships position themselves precisely above Earth's principal cities.[2] After one week, the aliens announce they are assuming supervision of international affairs to prevent humanity's extinction. As the Overlords, they bring peace, and they claim that interference will be limited.

Some humans are suspicious of the Overlords' benign intent, as they never appear physically. Karellen, the "Supervisor for Earth," speaks directly only to Stormgren, the UN Secretary-General, whom he tells that the Overlords will reveal themselves physically in 50 years. Stormgren smuggles a device onto Karellen's ship to see behind the screen separating them; years later he tells a reporter that the device failed. Humankind enters a golden age of prosperity, at the expense of creativity. As promised, the Overlords appear in person; they resemble the traditional human folk image of demons — large bipeds with leathery wings, horns and tails.[3] This is generally attributed to some racial memory of an earlier, unsuccessful encounter. This positive encounter leads humanity to accept them with little fear.

The Overlords are interested in psychic research; humans suppose this is part of their anthropological study. Rupert Boyce, a prolific collector of books on the subject, allows one Overlord, Rashaverak, to study them at his home. To impress his friends with Rashaverak's presence, Boyce holds a party, during which an astrophysicist, Jan Rodricks, asks the identity of the Overlords' home star; a Ouija board reveals a star-catalog number. Its position agrees with the direction in which Overlord supply ships appear and disappear.

Although humanity and the Overlords develop peaceful relations, some believe human innovation is being suppressed and that culture is becoming stagnant. These groups establish "New Athens," an island colony devoted to creative arts. One colonist is George Greggson, whose wife Jean had fainted during the seance at Boyce's party. The Overlords develop an interest in the Greggson children, Jeffrey and Jennifer Anne, even intervening to save Jeffrey's life when a tsunami strikes the island. Sixty years after the Overlords' arrival, human children, including the Greggsons, begin to display telekinetic powers. Karellen reveals the Overlords' purpose: They serve the Overmind, a cosmic intelligence freed from matter's limits. The Overlords, who cannot join the Overmind, are charged with fostering other species' eventual merger with it. Because of this, Karellen expresses envy of humanity. For the transformed children's safety, they are segregated on a continent of their own. As no more human children are born, many parents find their lives stripped of meaning, and die or commit suicide. New Athens is destroyed by its members.

Jan Rodricks, having stowed away on an Overlord supply ship, arrives on their planet, 40 light-years from Earth. While on the planet, the Overlords permit him a glimpse of how the Overmind communicates with them. When Rodricks returns to Earth, he finds an unexpectedly altered planet. Humanity as he had known it has died; he is now the last man alive. About 300 million naked young beings, physically human but otherwise having nothing in common with them, remain on the quarantined continent. They are the final, physical form of human evolution before merger with the Overmind.

Some Overlords remain on Earth to study the children from a safe distance. When the evolved children mentally alter the Moon's rotation and make other planetary manipulations, it becomes too dangerous to remain; the Overlords offer Rodricks the option of leaving with them, but he chooses to stay, witness Earth's end and transmit a report of what he sees. Rodricks describes a burning column of energy ascending from the planet, and a sense of profound emptiness as "They" depart for their unknown future. Material objects seem to dissolve as Rodricks reports no fear but a sense of accomplishment, then a flash of light as the Earth evaporates. Karellen looks back at the receding Solar System, which shows no hint that one of its planets has disappeared. He gives a final salute to the individual humans he has known and to humanity as a whole. He ponders whether guiding them through their passage has edged his own species any nearer a similar advance, then turns away to await the Overmind's next order.

[edit] Childhood's End in other media

[edit] Movies and television

  • The BBC produced a two-hour radio dramatization of the novel, which was originally broadcast on BBC Radio 4 in November 1997.
  • A screenplay of the novel has for years been sold and traded in the movie business, but has not been produced yet. Director Kimberly Peirce and actress Hilary Swank have been attached to the project.[citation needed]
  • Hideaki Anno, main designer and director of the anime Neon Genesis Evangelion, has stated that Childhood's End was one of his principal influences.[citation needed] The end of the novel seems to have directly inspired the Human Instrumentality Project. The final scene of his theatrical climax to the series, The End of Evangelion, also mirrors that of the book.
  • The anime series Mobile Suit Gundam 00 featured several elements from the story, including the evolution of the human race to a species with powerful mental abilities, non-physical states, and the manipulation of mankind's evolution by a group possessing technology far in advance of human technology.[citation needed]

[edit] Music

[edit] Other

[edit] Publication history

This is a partial list of English editions.

  • First published in 1953 by Harcourt.
  • Pan Science Fiction (1954)
  • Pan New Edition edition (7 Dec 1990) Paperback ISBN 0330316613
  • Ballantine Books Inc. (29 Mar 1994) Paperback ISBN 0345347951
  • Gollancz (21 Jan 2010) ISBN 0575082356

[edit] Notes

  1. ^ ACC - Famous FANTASTIC Mysteries - 1950 April, a photographic reproduction of the first pages of the original tale, Guardian Angel, from "FANTASTIC Mysteries", 1950 April - Vol. 11 #4 - pages 98-112,127-129.
  2. ^ a b Du Bois, William (August 27, 1953). "Childhood's End - Book Review". New York Times. http://www.nytimes.com/books/97/03/09/reviews/clarke-childhood.html. Retrieved 2009-04-23. 
  3. ^ a b Barlowe, Wayne Douglas, Barlowe's Guide to Extraterrestrials, p.70. San Val, 1987.

[edit] References




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The original page is located at http://en.wikipedia.org/wiki/Childhood%27s_End


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